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Wednesday night at The State Room presented an intimate evening for true music lovers in downtown Salt Lake City. Local friends joined together for Sir Woman, an Austin, Texas-based artist, bringing us soulful vibes that made the midweek venture something worth staying up for.


There was something refreshing about how unpretentious the crowd felt, like everyone had left their ego at the door. The music hypnotised the audience like a warm, whisky buzz. The night wasn’t about being seen; it was about being present. People moved their bodies with relaxation and satisfaction. Everyone appeared comfortably unguarded, which created an experience you can't always land upon in Salt Lake City.



There's a certain kind of vibe where the energy in the room matches the energy on stage, and Sir Woman curated that essence effortlessly. The State Room, a venue tucked along South State Street in the heart of downtown, proved once again why it's one of Salt Lake City's most beloved intimate spaces. The warm acoustics, close atmosphere, and vintage lighting made every element of the night feel personal, as if the whole thing had been arranged just for the people in that room.



What stood out immensely was the background vocals of Uncle Roy & Spice. They weren't just filler; they were the heartbeat of the performance, weaving in and out of the lead melody and lifting the entire room at the perfect moments. The instrumentation was equally on point, making Sir Woman not just a solo act, but an ensemble of musicians who share the kind of chemistry that can't be rehearsed. Each band member had a moment to showcase their talent, and you could feel the genuine connection in the way they moved together, while sharing their love of music with everyone lucky enough to witness.


Sir Woman, the project of Kelsey Wilson, has been building momentum with her undeniable talent. She took the Austin music scene by storm with her self-titled debut, going on to earn Artist of the Year at the 2023 Austin Music Awards, with features in Rolling Stone and CBS News along the way. Her most recent duo albums, If It All Works Out and If It Doesn't, gave Wednesday night's setlist plenty to work with. The band played "Get Out of My Mind" and "Circles" alongside crowd favourites "Highroad" and "Making Love." Each song landed with the weight of familiar experiences, even for first-time listeners.


The songs of Sir Woman feel lived-in and honest, as if pulled straight from a series of journal entries. That authenticity on stage allowed a crowd spanning multiple generations to let their guard down and simply be present. No posturing, just people sharing space in the kind of moment that doesn't come around every Wednesday night. Live music in Salt Lake City can surprise you with intimate, soulful nights like these that audiences will never be able to forget.




If you missed Sir Woman at The State Room, let it serve as a lesson: when the buzz is real, show up. You won't regret it.





Friday night at Soundwell felt like an adventure wrapped inside a nostalgic teenage dream. Fans packed the venue to catch The Runarounds, the Amazon Prime pop-rock breakout sensation, bringing their high-energy sound all the way from Wilmington, North Carolina, for their first-ever headlining show in Salt Lake City.



The Runarounds made their performance debut on the hit teen Netflix series Outer Banks, but their story was never meant to end there. Behind the scenes, creator, director, and producer Jonas Pate was already laying the groundwork for something bigger for the band, crafting a deliberate path to launch the group beyond Outer Banks and into their own central storyline.


That vision came to full fruition in September 2025 with the premiere of Amazon Prime’s The Runarounds, a scripted series inspired by the band’s real-life talent, re-imagined as fictional characters. The show follows the group through a pivotal summer after high school graduation as they relentlessly pursue musical success. The new series thrives on high stakes and wild adventures, carrying the weight of everything on the line.


For anyone skeptical of a garage band, pre-adult soap opera based on young, aspiring musical heartthrobs, don't turn your head too quickly. The Runarounds waste no time proving they are far beyond a surface-level concept. Onstage and on screen, they’re charismatic, individually gifted, and unmistakably animated performers. Their chemistry is pronounced, energy contagious, and their ability to stand out comfortably exceeds initial expectations.


The Runarounds live presence reveals a group that spent time honing in on their craft. The bandmates act as young musicians who play with an undeniable sense of showmanship. It is ever-present that their momentum is built on substance and passion, not just storyline.



Watching the crowd sing along to every word was one of the night’s undeniable highlights. Each song seemed to carry its own meaning to fans, as if they weren’t just hearing the music but experiencing their own personal journey behind it. 


The Runarounds gave a taste of everything from Cellophane, Minivan, Sophia, Shoelaces, and their notable cover hits Are You Gonna Be My Girl by Jet and Amy Winehouse’s famous Valerie. The night was perfectly paired with opening act Back Alley, who set the tone for an energetic, dance-filled, unforgettable evening. The Runarounds are an act we hope to see over and over again in Salt Lake City.






Leon Thomas’ performance brought music lovers together for his awaited 'Mutts Don't Heel' tour to Salt Lake City. The event cultivated a buzz that felt truly unmissable, like a house party where you never know who you might bump into. The crowd itself paralleled a vibrant mix of backgrounds, creative expression, and bravado. Fans arrived at The Depot dressed to impress. From elevated streetwear to statement pieces, the fashion reflected the creativity and confidence often associated with Leon Thomas’ music. As winter crept closer outside, The Depot stayed warm inside, fueled by a packed crowd and undeniable energy.


Above the stage, a silver, disco-like sculpture of Leon Thomas’ head immediately caught attention. It simultaneously blended retro influence with a modern edge. Bold, vibrant stage lighting complemented the artist’s confident persona. Thomas made it clear why he is now the leading stageman when he entered the room. His vocal runs were a consistent pinnacle of the performance, complemented by his

multitalented ability to play drums and electric guitar.




Thomas’s R&B repertoire and musical confidence point to years of experience developed from an early age. His ability to move comfortably between instruments, combined with his vocal discipline, reflects a performer who understands music beyond the surface. The experience translated into just the tip of Leon’s solo career. His fans will vibe to his radio hit single, 'Mutt,' until the wheels fall off.




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